reviews

 
 
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CINDERELLA, a family-friendly opera is one prince/princess of a show

by Peter Hall

November 2, 2019

“The two standouts, as one would hope, aided and abetted by Rossini’s masterful music, were the two leads, Prince Ramiro (Lorenzo Shawn Parnell, the only tenor on stage) and Cinderella (Mariami Bekauri) with an equally powerful and very listenable voice.”

“But there was also nuanced acting which is often not the case in opera and that’s where you need a Stage Director of Loughlin’s skill and experience. That direction wasn’t wasted on either Bekauri who is on stage a lot, nor on baritone David Waterland…”

 
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REVIEW: “The Marriage of Figaro” at the Smith Opera House

by Elena Ciletti

July 24, 2019

“As [Antonio’s] daughter Barbarina, Geneva’s own Mariami Bekauri, mezzo-soprano, is ardent and appealing.”

 

THE MAGIC FLUTE, opera at Rockwell, presents “magical” voices.

by Peter Hall

December 2, 2017

“My thoughts of “Damn, this show is going to be much better than I expected” started with the trio of ladies in waiting (minions?) to the evil Queen, sung in beautiful three-part harmony by Meghan Attridge, Mariami Bekauri, and Kaliegh Sutula. I’ve heard a number of MAGIC FLUTES in my day, and they could have graced any stage.”

 
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WNY Chamber Orchestra Concert Provides Wonderful Assortment

by Todd Pullan

December 16, 2016

“The warm and stylistic vocal tones by mezzo-soprano Bekauri were evident in the selection, “The Christmas Song.” Her dark features and pleasant smile were a significant asset to her velvet and satin Crimson gown and humble presentation.”

“The vocal calisthenics of the three soloists were beautifully executed in “O Come Emmanuel.” Their harmonics in the refrain “Rejoice,” filled the center with resonant tones that elicited bravos and vigorous clapping from the audience in recognition.”

“Bekauri added a nice mezzo bottom to the harmonic chord of this trio.”

 
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Ambitious production of “Maria de Buenos Aires” haunts audiences

by Zack Bu

March 13, 2015

“The cast delivered strong performances, managing the complex score and libretto without being overshadowed. Singing in the original Spanish libretto, they showcased ample vocal ability and emotional complexity. Maria, played by Mariami Bekauri GS was a delight.”

 

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